Decoding the New York Mayor's Style Choice: What His Suit Tells Us Regarding Contemporary Masculinity and a Shifting Culture.
Growing up in London during the 2000s, I was constantly surrounded by suits. You saw them on City financiers rushing through the Square Mile. They were worn by dads in the city's great park, kicking footballs in the evening light. At school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling power and professionalism—qualities I was expected to embrace to become a "man". Yet, before recently, my generation seemed to wear them less and less, and they had largely disappeared from my consciousness.
Then came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captivated the world's imagination like no other recent mayoral candidate. But whether he was cheering in a hip-hop club or appearing at a film premiere, one thing was largely unchanged: he was almost always in a suit. Loosely tailored, modern with soft shoulders, yet conventional, his is a typically professional millennial suit—well, as typical as it can be for a cohort that rarely bothers to wear one.
"The suit is in this weird position," says men's fashion writer Derek Guy. "It's been dying a slow death since the end of the second world war," with the significant drop coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the strictest settings: weddings, funerals, and sometimes, legal proceedings," Guy states. "It's sort of like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from everyday use." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have authority.'" Although the suit has historically conveyed this, today it performs authority in the hope of gaining public trust. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of drag, in that it performs manliness, authority and even closeness to power.
This analysis resonated deeply. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel sophisticated and expensive, but its slim cut now feels outdated. I suspect this feeling will be only too familiar for many of us in the diaspora whose families originate in somewhere else, particularly developing countries.
It's no surprise, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore characterize an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something destined to be out of fashion within five years. But the attraction, at least in certain circles, persists: in the past year, department stores report tailoring sales rising more than 20% as customers "move away from the suit being everyday wear towards an desire to invest in something exceptional."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a European label that sells in a moderate price bracket. "He is precisely a product of his upbringing," says Guy. "In his thirties, he's not poor but not extremely wealthy." To that end, his mid-level suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly don't contradict his stated policies—such as a capping rents, building affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing Suitsupply; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that property development world. A power suit fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a well-known leader's "controversial" tan suit to other national figures and their notably polished, tailored sheen. As one British politician discovered, the suit doesn't just dress the politician; it has the potential to define them.
Performance of Normality and Protective Armor
Maybe the key is what one academic calls the "performance of banality", invoking the suit's historical role as a uniform of political power. Mamdani's particular choice taps into a studied understatement, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, experts think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't apolitical; scholars have long pointed out that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
Such sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders previously wore formal Western attire during their formative years. These days, other world leaders have begun exchanging their typical military wear for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the struggle between belonging and otherness is apparent."
The attire Mamdani selects is deeply significant. "As a Muslim child of immigrants of South Asian heritage and a progressive politician, he is under pressure to meet what many American voters look for as a sign of leadership," notes one author, while simultaneously needing to navigate carefully by "not looking like an elitist selling out his non-mainstream roots and values."
But there is an sharp awareness of the different rules applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to adopt different personas to fit the situation, but it may also be part of his diverse background, where adapting between languages, traditions and clothing styles is common," it is said. "White males can remain unnoticed," but when others "seek to gain the authority that suits represent," they must meticulously negotiate the codes associated with them.
Throughout the presentation of Mamdani's official image, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the awkwardness of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is never neutral.